The Phoenicians

The Phoenicians were enigmatic people, who left little in the way of written records. Much of what we know of them from ancient times was recorded by Greek and Roman historians who mentioned their seamanship and shrewd business dealings.

Napoleon III put modern historians in touch with the Phoenicians.  While subduing a revolt in Syria, he called upon the French scholar, Ernest Renan, to lead an expedition to the area, much as Napoleon the Great had done some fifty years earlier when he brought a group of scholars to Egypt during his campaign.

Because of Renan’s interest in Semitic languages, he was particularly keen on investigating the site of Byblos.  In addition to being a major Phoenician port, the name held linguistic implications.  “Byblos” the Greek word for papyrus, leads to “biblion” or book, while lead to “bible”.  Renan was pursuing an Old Testament reference, “Gebel”, which was the Semitic name for Byblos.  The trail ultimately lead to nothing for Renan’s linguistic research, but during the investigation he found several granite slabs covered with Egyptian hieroglyphs, and a bas-relief, which he believed to be the goddess Hathor.  The relief was, in fact, Baalat-Global the Phoenician earth-mother goddess.  This find was the beginning of the rediscovery of ancient Phoenicia.

Later, excavations that are more extensive produced a series of semi-intact royal tombs that yielded a glimpse of Phoenician treasure, including vessels of gold, silver, and obsidian, sandals and breastplates of gold, and an array of royal paraphernalia.  The most important find, however, was an inscription in the Phoenician alphabet on an elaborate sarcophagus:

“This coffin was made by Ithobaal, the son of Ahiram, King of Byblos, as the eternal resting place for his father.  If any ruler or governor or general attacks Byblos and touches this coffin, his scepter will be broken…”

This discovery in 1922 touched off a wave of excavation in Byblos and a renewed interest in the origin of the Phoenicians. Since ancient times, there has been speculation as to the origin of the Phoenicians.  The Greeks were particularly puzzled by the Phoenicians who suddenly appeared and built an empire in their midst.

They, in fact, gave them the name, “phoinikes” loosely translated as “red people” from the color of their land.  The Phoenicians called themselves Canaanites, and modern researchers tell us they were the descendents of two groups, the early Canaanites who inhabited the coast of Lebanon, and the Sea People who invaded Lebanon about 1200 BC.

The early Canaanites had a limited ship building technology, sailing only flat-bottomed barges that hugged the shore.  The invading Sea People, some of whom stayed on, introduced among other things, a much more sophisticated maritime technology.  Thus their descendents, the Phoenicians, appeared on the scene with an established maritime tradition, and the technology to build ships with a keeled hull.  This allowed them to sail the open seas, and as a result, the Phoenicians developed a flourishing sea trade.

They settled along the coast of Lebanon, in a loose federation of city-states that were built on islands of rocky promontories, which provided natural harbors for shipbuilding and trade.  The cities, Byblos, Tyre, Sidon, Arwad, studded the seacoast like jewels, and their wealth became legendary.  At the height of their trading empire, they imported copper from Cyprus; linen from Egypt; ivory from India; tin from Spain; horses from Anatolia; and peacocks from Africa.  They became famous for their highly prized purple dye extracted from the murex snail, and for the fine timber cut from their forests.

Their major cultural contribution was their alphabet.  It consisted of 22 consonants, and was the foundation of our English alphabet, and it was the core for Hebrew, Arabic, and Syriac script.

The Phoenicians were skilled artisans noted for their fine crafts, often “borrowing” a basic idea or technology and improving on it.  The craft of glass making was raised to a fine art by Phoenician artisans, and they may have been the first to develop blown glass.  Their terracotta vessels and pots often show a thoughtful refinement of shape, as do their votive statues.

The Phoenicians worshipped a triad of deities, each having different names and attributes depending upon the city in which they were worshipped, although their basic nature remained the same.  The primary god was El, protector of the universe, but often called Baal.

The son, Baal or Melqart, symbolized the annual cycle of vegetation and was associated with the female deity Astarte in her role as the maternal goddess.  She was called Asherar-yam, Our Lady of the Sea, and in Byblos, she was Baalat, our dear lady.  Astarte was linked with mother goddesses of neighboring cultures, in her role as combined heavenly mother and each mother.  Cult statues of Astarte in many different forms were left as votive offerings in shrines and sanctuaries as prayers for good harvest, for children, and for protection and tranquility in the home.  The Phoenician triad was incorporated in varying degrees by their neighbors and Baal and Astarte eventually took on the look of Greek deities.

The Phoenicians reached the peak of their culture around 1,000 BC, when they had established trading colonies in Cyprus, Sicily, Sardinia, Africa and Spain.  Their North African city of Cartage was founded about 800 BC and remained strong until the sack of the Romans in 146 BC.  The great city-states of Phoenicia ended with the fall of Tyre to the Babylonian king Nebuchadnezzar in 573 BC.  The glory of the Phoenicians was in decline, when in 332 BC Alexander the Great conquered Tyre and the remnants of the Phoenician culture were swept into the Hellenistic Empire.

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Sadigh Gallery Ancient Art, Inc. in New York has a collection of Phoenician artifacts, ranging from small glass beads, glass vessels to terracotta statues. For more information, visit our website www.sadighgallery.com

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About Sadigh Gallery

Sadigh Gallery is a family-owned art gallery specializing in ancient artifacts and coins from around the world. The gallery was established in 1978 as a small mail order company which was operated by one man, Michael Sadigh. After achieving much success, he then moved to the current location on Fifth Avenue in Manhattan in 1982. Our focus is on providing affordable ancient antiquities and friendly, down-to-earth service. As a family-owned business, we greatly treasure the interaction with our customers. A large portion of our customers have been with us for 10 to 20 years, and we are grateful that they have become good friends, rather than simple business partners. We pride in providing quality service to each and every one of our customers, and their satisfaction matters most to us. If you have any questions, concerns, or any other comments regarding our merchandises or services, feel free to call us at your convenience. Customer satisfaction is our number one priority! All of our antiquities are guaranteed authentic, and all items are sent with a Lifetime Certificate of Authenticity. We provide secure packing to ensure safe delivery. Contact us for more information, or to receive one of our FREE CATALOG today. Contact Information: 303 Fifth Avenue Suite 1603 New York, NY 10016 Toll Free (800)426-2007 Tel (212)725-7537 E-mail: Info@sadighgallery.com Web www.sadighgallery.com Gallery Hours: Monday-Friday 10:00AM – 8:00PM Open on Sundays by appointment only. Closed on Saturdays.
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One Response to The Phoenicians

  1. Pingback: Sadigh Gallery: Phoenician Glass Artifacts Special | sadighgallery

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